112 Royalty-Free Audio Tracks for "High Pass Filter"

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Frying mushroom sound fron a fan. Recorded with sony experia go (a phone i do not recomend - at all). Recorded with the app sound recorder. Original file format mp4 converted to wav. Applied high pass filter cutoff freq 1000hz.

Ambience from a school cafeteria. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

Coffee maker recorded with zoom h4n pro on tripod. Low-pass filter applied to remove some high pitch snaps. Roughly first 40 seconds reconstructed from clips to extend sound of water gurgling. Recorded for use as a sound effect for a play.

A tic tack toe game. Recorded with sony experia go (a phone i do not recomend - at all). Recorded with the app sound recorder. Original file format mp4 converted to wav. Applied high pass filter cutoff freq 1000hz.

Smooth fm chords for calm atmosphere in movie. Use fat low pass filter depending on your taste. Highs should be mostly removed, i left them there - you need to decide how much highs you want to keep. It reminds me roland sound. Optionally add roland chorus tal-chorus-lx.

The strange sound of the spanish knife sharpeners whistle as he travels the streets calling for people to come and get their knives sharpened. Recorded from my balcony. Put through a high pass filter because there was loads of background noise.

Early june morning. Sound of birds and chipmunks in woods east of seattle, wa, usa. 24/48000 stereo pcm. Studio projects ldc 8" from ground 10' apart. Mossy trail in woods. High pass filter at 300 hhz.

Suburbs captured with zoom h1. You can hear some birds all the way. Theres a dog in one part and theres a plane but you can cut it with a high pass filter.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

Microphone: zoom iq7 with simple windscreen not edited stereo 120deg. Baltic sea: calm sea, waves about 20cm amplitude. Best filtering for wind-noise: high-pass 125hz to 150hz / -18db/oct.

Ambience from a concrete river near a school. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

Rustled bubblewrap recorded with at2020usb+ and reaper. Poped noise filtered with high pass function. Can be used for many usages like transformation sound effect (male to female, female to male, etc), horror fiction/movies and many more. Enjoy !! ^^.

A recording of page turns and riffles. Recorded right up near the grille of the mic so perhaps not the most natural sounding recording out there. 80hz high-pass filter was applied with a 12db an octave slope. Normalized to -3db. Signal chain: cad e100s and a focusrite scarlett 2i2.

Closing a wooden door in my apartment, somewhat aggressively. This was recorded in stereo with two matched akg c568 b microphones, going into a sound devices 633 recorder. Audio was trimmed in adobe audition with a very gentle high-pass filter. Sound two of two.

Wind turbine sound, near lacedonia, campania, italy, the 16th august 2022 @ 18:30the sound was recorder with a zoom h1n with windshield from a distance of 25m approx from the wind turbine. Processing:* 120hz high pass filter (to reduce some low frequency rumbles due to the wind);* volume adjustment;. Other sound in the recording:* voice of a woman in the distance (at the beginning of the file);* wind gusts;* car passing by (at the end of the file);.

Multiple performances of pressing the eject button on a nintendo gamecube console and closing the lid again. Recorded with senal sci-3212mp microphone into zoom f4 recorder. Trimmed in adobe audition with high pass filter added, no other effects applied.

The user gorgoroth6669 posted an awesome recording of some wolves, somewhere in norge. Http://www. Freesound. Org/people/gorgoroth6669/sounds/76456/. I needed it mono, but the upload was stereo. So, in the process of rendering a mono version. . . I decided to tinker. There's high & low pass filtering as well as a 4 band eq applied. Seems to have significantly reduced the noise. I also forced zero crossings :]. Figured i'd post in case anyone can make use of it√. Takk gorgoroth6669!.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

De-noised remix of. . . Https://freesound. Org/people/strangehorizon/sounds/669314/. If it's now too beefy, apply a high-pass filter. Vst plugins used on this remix include. . . Acon digital denoise (version 1. 81, which is old).

Some sweepish sounds. Synthesized with "vacuum pro" vsti from air, the patch was a unmodified "500msvph"added effects with a "tassman 4" vst filterbank, multiple low pass filter with some oscillation. Echo was enable in a part of this whole creation.

This is the first of two excerpts from a field recording of wind chimes hanging from the front porch of my home in south central tennesee. A zoom h1n recorder was placed below the wind chimes and set to record in wav format. The high-pass filter in audacity was used to reduce wind noise. The recording was made in march of 2021.

This is the second of two excerpts from a field recording of wind chimes hanging from the front porch of my home in south central tennesee. A zoom h1n recorder was placed below the wind chimes and set to record in wav format. The high-pass filter in audacity was used to reduce wind noise. The recording was made in march of 2021.

Recording of the almost-frozen bow river in banff, alberta, canada. Recording taken in winter, at night. Cold, some wind distortion. Recorded using the h2n zoom recorder on the m/s setting. High pass filtered, decoded to stereo.

Ambience from an extremely reverberant space inside a college. Some students can be heard chattering in the distance, thankfully with not enough clarity to be recognizable. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

A field recording of a semi-rural stream and cicadas. The cicadas life cycle means that in some years they are particularly abundant. The recording was taken with a tascam dr-70d (internal mics) and very little processing (only high pass filter to remove location rumble) 24 bit 44. 1 khz.

Exterior ambience with birds chirping and very slight rain. It's all quite relaxing, if i do say so myself. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

Recording of city ambience from my apartment window at night. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Left the lid of my top loading freezer open, you can hear the hum of the motor and also the crackle of inside the freezer. Messing around with a low or high pass filter can give a nice background white noise. Free for commercial and non commercial use as apart of a creative piece of work. Recorded with the zoom f4 and rode m5s.

Six strikes of the bell in the tower clock of the church of sainte marie in moureze, southern france, with high pass filtering. Recorded on a windy day. See photo of church tower and two of it's bells here. Recording position was on edge of a small square some meters towards the church. Https://flic. Kr/p/vpw5ar.

One satisfying thunder crack, followed by it's rumbly aftermath, as well as a car passing on the street in the distance. There is no compression or eq applied, and the file has a high dynamic range, so for many applications you may need to use some dynamics processing to reduce the dynamic range. Recorded with spaced pair ksm141, in omni mode, no filters.

This was created with reaktor 6, nested inside vcvrack (via the "host" module) run through various effects in vcv rack. Ultimately this was rendered out at 192khz (vcv allows for very high super sampling). Many frequencies that are above the range of hearing exist in this file due to rendering it at such a high sample rate. I recommend that, in your daw of choice: pitch this down a couple octaves while running this through a frequency analyzer. Watch how many notes and tones emerge into the range of hearing. You might need a high shelf eq on this as well as a slight high pass filter. Several use cases for this sound: in the background of a sci-fi video game. On your next ambient dark drone top 40 hit single. Run through effects like granulators, pitch shifters and spectral distortions to make a crazy sound design sculpture.

Removed the hum from cognito-perceptu's pill-bottle-4 sample. Original sample had truck in background in addition to some low frequency hum. Used the remove hum feature on izotope rx2 and, presto-chango, no distracting background noise. Now there is still a high frequency hum which i did not touch. I think this could be mitigated with a low pass filter in eq if you choose.

At closest to target it was recorded from about 33ft away from mower at farthest range about 40ft away. If you wanted the mower to be heard from an inside area you could add a high pass filter to the recording. Please note this wasn't taken with the average household mower it was taken with a heavy duty lawn mower used for cutting large areas of grass so it doesn’t have the same sound as a regular mower.

A binaural recording of birds singing in the woods. Recorded at the 'utrechtse heuvelrug' in the netherlands. Gear used: roland cs-10em binaural microphones, zoom h4n field recorder. Processing: slight noise reduction (9db) using izotope rx7, high pass filter to remove unwanted rumble (cubase 7. 5), made into a loop.

This is a foghorn-like sound that i created using an accidentally recorded poot from a friend. I stretched the sound bite a few times while lowering the pitch, added a couple different reverb effects, and then finished it with some parametric eq, raising the bass, and using a low pass filter to cut out the high frequencies. If you would like the original poot sound, i have also uploaded it as fart sound 1.

Nyc subway train arrives, doors open, announcement of direction, doors close, train departs. I stood on the platform at the montrose l station with a sony minidisc and recorded the entire process of a nyc subway train coming and going. Low noise, though you may wish to use a high-pass filter as there is so much bass in the material.

While messing around in audacity i accidentally made this. I generated dial sounds and g-verb'd it. I then put a high pass filter on it and paulsteached it. And made this. The breathing sound wasn't there in the original. But when i paulstreached it again. It just. . . Happened. I uploaded this because i thought i should share this. It may need editing to make it sound better. Feel free to use it in games or anything. C:programs used: audacityfilters used: g-verbhighpass filterpaulstrechchange tempochange pitchgenerations used: dtmf tones. - cazsunxa.

One explosion sound i created using wavepad sound editor, adobe audition 3 and my high quality microphone. Sounds used to get this explosion, in case you want to replicate it;. -kicked rocks (recorded by me)-throwing rocks from a distance (recorded by me)-edited and stretched beer hiss (recorded by me)-edited chambagne pop sound (recorded by me)-rocket hiss (replica by me). Applied effects;. Mastering (in adobe audition 3), increased "exciter" up to 11. 5%. High-pass filter (in adobe audition 3). Stretch (in adobe audition 3), in "high precision" mode. Reverb (in wavepad sound editor pro). The sound sounds very common, because most people use this method. In case you want to use it, please give me credits.

Similar to my popular 2016 recording. Many birds are audible, as well as distant dogs. This clip is highly processed, for a much less processed version, check out the raw version of this track. Recorded during the 2019 world series of birding competition in nj. Feel free to use in commercial projects. --------------------------two em172 mic capsules -> zoom h1 recorder -> high-pass filter -> noise reduction.

A recording of a high school class. Students were working on a sound effects project on computers, but generally allowed to talk as they worked. This is maybe 18 students, with the mic about 10 feet away from the nearest student, mic towards one side of the room, pointed towards the middle. We also have ac on, and an av cart that has a fan on, plus a wall clock, some of which you may not be able to hear over the students. Mic was the zoom h1 set to record a wav file, record level manual, low pass filter engaged, with the quality settings at the highest values. It was then put through audacity to amplify it to the highest allowable levels without distorting, and spit out as a wav.

Recording of sea undertow on the beach of formicoli, vibo valentia, calabria, italy, the 19th agust 2022 16:44. The sound was recorder with a zoom h1n with windshield at a short distance from the crashing of the waves on the beach. The waves are driven by a light, gentle wind. The sound was recorded by holding the microphone in my hand while i dived knee-deep into the water and walk, filming the crashing of the waves (also on my legs). High-frequency sound details (the foam of the sea, the impact of waves on each other, etc. ) are much more audible here. Processing:* volume adjustment;* 120hz high pass filter (to reduce low some low frequencies rumble due to the wind);* cut and crossfade to eliminate very few mechanical noise of my hand on the mic;.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

Field recording recorded on zoom h4 using internal mics set to 90 degree xy stereo pair. Wind sock and high pass filter to remove excessive wind rumble. Recorded in a nature reserve just outside the town centre of bury st edmunds, suffolk, england on 19/02/2019. Recorded on a breezy day, features distant motorway traffic, close rustling of branches and leaves, birdsong and a few gentle guests of wind.

The 100% genuine and original htx sound in stereo :p. 3 merged samples featuring 21 group-panned notes with portamento and plenty dialed up effets like chorus, delay and reverb, everything except external panning, digial dc-filtering and volumeramps are comming straight out of the novation x-station. Rumor has it that the core of the original thx-sound actually was programmed in csound in case you want to recreate the original. A google search will give you the right pointer. Fixed high-pass version without the dc and normalized. Individually packed for freshness.

Field recording recorded on zoom h4 using internal mics set to 120 degree xy stereo pair. Wind sock and high pass filter to remove excessive wind rumble. Recorded in a nature reserve just outside the town centre of bury st edmunds, suffolk, england on 19/02/2019. Recorded on a breezy day, features distant industry sounds, close rustling of branches and leaves, birdsong, a few gentle guests of wind and distant motorway rumble.

Kid around 4 year old crying (tantrum) outside in the distance echoing among buildings. Some city rumble in background. I edited the sound to remove the mother's voice. Use an high-pass filter 120hz to diminish city rumble. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Stereo recording made in the generator hall of tate modern between exhibitions. The end of the hall furthest from the entrance was empty, so i ran the recorder for a couple of minutes just to sample the reverberation. Because it is a school holiday in the uk, there were large numbers of children in the gallery, especially on the upper deck bridge about 25m from the recorder, and their voices are higher pitched and their behaviour extrovert. The space is large, so the echoes give a lot of atmosphere. Recorded on zoom h2. Transferred to audacity and high pass filter with breakpoint of 180hz used (12db/octave) to remove the hum that is prevalent at this site. +6db of amplification used, so peaks at -18dbfs.